(Artist and Teacher)
History plays a major role in the selection of materials I explore in my work. My art is also inspired by my dual heritage of being Yoruba and Benin. I enjoy the advantage of sitting on the shoulders of one culture, and peeping into the other. Sometimes, I appear to sit on the shoulders of both and peep into the future. Much as I draw from these two great cultures, I am also fascinated by the ordinary and simple things that continue to inspire.
Orí mi pé, Mild Steel (Installation & Performance),
University of Lagos, Nigeria, 2018-2019
Art and the Restitution Question
University of Lagos Main Auditorium Gallery.
University of Lagos, Lagos Nigeria
20 August – 10 October, 2010 Museum ,
University of Ibadan , Ibadan , Nigeria
A public art project
6 and 7 December, 2014.
Igun Street, Benin City.
Whose Centenary? is a counter reaction to Nigeria’s opulent commemoration of the amalgamation of the southern and northern protectorates of Nigeria. It comprised eleven artists who returned to Benin City to celebrate the passing of Oba Ovoramwen, the exiled King of Benin that fought against British Imperialism. This intervention was a conscious effort to celebrate Edo culture in a context of a living museum where the community become active participants in the sharing and celebration of culture. It held at Igun Street, the home and ateliers of the bronze casters in BeninCity
30 October-30 November, 2019, Alara, Lagos
Arts of Africa And The Global Souths Research Programme)
Òjé market in Ibadan was the international market for textile in West Africa. It used to be a place to buy some of the choicest Yoruba fabrics sányá,àlàárì and etù.. Today, Òjé market is known mainly as an apothecary, and trade in new forms of aso òfì and imported fabrics. This large patchwork, comprising many squares, is representative of the large crowd of people that gather on market days. Òjé Market is located in the sprawling city of Ibadan-a city the late renowned poet, JP Clark in 1965 wrote a quintet titled ‘Ibadan’ – Running splash of rust and gold flung and scattered amongst seven hills like broken china in the sun’. He skillfully comments on the haphazard nature of Ibadan, but also compares it with the city of Rome, set against seven hills. Ojo Ojà Òjé has tones of browns and yellow ochre, like the rusty roofs Clark spoke poetically about represented in this patchwork installation.
Women and Youth Art Foundation
Master Art Classes
Masterartclasses are courses that celebrate the rich and diverse cultural traditions of Africa, with a particular interest in Nigeria. These courses are suitable for the young and the old. These courses cater to college students, students in the African diaspora, people interested in history, indigenous African cultures and knowledge systems, as well as others interested in making art. The courses cover a broad range of topics from Benin bronze casting, Adire making, tie-dye, stitch and dye, silk painting, repousse, jewellery making, and a host of other arts and crafts.
Opening Speech of Prince Aghatise Erediauwa at the ‘I Miss you’ exhibition at the RJM in Koln on the 29th April 2022
Peju Layiwola’s Indigo Reimagined: Rethinking Adire in Yoruba Fashion and Textile Modernity Publisher: Institute of African and Diaspora Studies, University of Lagos ISBN: 978-978-990-855-4 Copyright Year: 2021 Editor: Patrick Oloko Peju Layiwola’s Indigo...